For the readings due today, I was particularly interested in what
Scharfstein had to say about the Aboriginal art of Australia. After having gone
there 2 summers ago, I learned a little about Aboriginal art and what the
meaning was behind it. Ever since I went there, I have always been interested
in the art. However, Aboriginal art is hardly touched on in my art history
book. So, when I read todays readings, I already knew a little, but what I
found most interesting was how Pat Mamanyjum Torres described the process and
myths revolving around the development of different tribes. To sum it up, he
stated that before a child is born, they have a dream of their spirit child
playing with say and animal, plant, or weather element. After this dream,
basically the parents interpret this dream to be what their child “belongs” to.
I found this interesting because the man I have posted a picture of works as an
aboriginal didgeridoo player for the museum my tour went to but had also
discussed what the paint on his body symbolizes. I forget what animal he said
he belonged to, but I do remember that the paint they put on their body before
a song or ritual is not just a random design on their body, but an
interpretation of the animal they are tied to. At the time I had not retained
much information while I was there “learning” about the Aboriginal art, which
makes me all the more interested in it because I hope to go back there one day
and learn even more!
Very nice post, Sarah. It is nice to have more images to look at in connection with Aboriginal art. I wish I could say a field trip was in the works, but....
ReplyDeleteI liked this point especially after watching the video in class on the cultural differences of the African tribe expressing dance in ceremonies. It was nice to be able to connect with the pictures and get your topic across easily. It would be very cool to take a trip like this and experience how art impacts others, and in what way it impacts them.
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